剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
收起
【已完结】
官网同步更新,若有延迟请稍作休息再看看
官网同步更新,若有延迟请稍作休息再看看
【已完结】
官网同步更新,若有延迟请稍作休息再看看
官网同步更新,若有延迟请稍作休息再看看
相关影片
2025
剧情片
日本
更新至高清
2009
剧情片
中国大陆
更新20240819期
2026
剧情片
美国
A covert agent is confronted by two god-like beings that have the potential to destroy everything.
更新至高清
2025
剧情片
英国
更新至高清
2025
剧情片
美国
更新至高清
2025
剧情片
印度尼西亚 / 韩国
里罗·得万托 礼萨·拉哈迪安 Elang El Gibran 尼肯·安贾尼 Tubagus Ali 迪马斯·阿迪亚 冯尼·安格莱尼 卡瑞娜·萨利姆 Eduward Manalu Bizael Tanasale Rangga Nattra
法院保安拉卡与刚通过律师考试的怀孕妻子妮娜庆祝时，妻子惨遭杀害。凶手是权贵之子，在金钱与权力的操纵下，司法系统走向了不公的判决。绝望的拉卡决定用自己的方式推翻腐败的裁决，在法庭内外展开一场以暴制暴的复仇，向被操控的法律体系讨回公道。
更新至高清
2025
剧情片
美国
四位疏远的友人一同参加一次钓鱼之旅，旨在修复他们破裂的关系。然而，当其中一位（一位绝望的父亲）指控其中一人与自己女儿的失踪案有关时，他们之间的关系却彻底破裂了。
更新至高清
2026
剧情片
美国
更新至高清
更新至高清
更新至高清
2026
剧情片
泰国
三名女子沦为冷血电话诈骗的受害者。为了讨回公道，他们决定对抗夺走他们金钱与尊严的犯罪网络。
更新至高清
已完结
2026
剧情片
美国
已完结
2017
剧情片
美国
已完结
2026
剧情片
美国
丹尼斯·奎德 阿莉尔·凯贝尔 米洛·文堤米利亚 索菲亚·斯凯尔顿 乔比·詹姆斯 特雷斯·阿德金斯 约书亚·巴塞特 安赫拉·约翰逊 杰森·伯基 Del Sable 艾比·格洛弗 萨米·戴尔 妮可儿·德伯特 兰迪·麦克道维尔
Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.
更新至高清
正在热播
更多
2022
国产动漫
大陆
独家推荐
更新至第140集
2024
剧情片
中国大陆
独家推荐
HD
2024
国产剧
中国大陆,新加坡
独家推荐
全40集 彩蛋 花絮
